O melhor filme que me lembro de ter visto nos últimos tempos.
E depois de o terem visto, don't miss out on this:
That Cobb is dreaming and still finds his catharsis (that he can now look at the face of his kids) is the point. It's important to realize that Inception is a not very thinly-veiled autobiographical look at how Nolan works. In a recent red carpet interview, Leonardo DiCaprio - who was important in helping Nolan get the script to the final stages - compares the movie not to The Matrix or some other mindfuck movie but Fellini's 8 1/2. This is probably the second most telling thing DiCaprio said during the publicity tour for the film, with the first being that he based Cobb on Nolan. 8 1/2 is totally autobiographical for Fellini, and it's all about an Italian director trying to overcome his block and make a movie (a science fiction movie, even). It's a film about filmmaking, and so is Inception.
Depois de terem lido esta crítica, o filme ganha contornos de obra prima. Un-fucking-believable.
E depois de o terem visto, don't miss out on this:
That Cobb is dreaming and still finds his catharsis (that he can now look at the face of his kids) is the point. It's important to realize that Inception is a not very thinly-veiled autobiographical look at how Nolan works. In a recent red carpet interview, Leonardo DiCaprio - who was important in helping Nolan get the script to the final stages - compares the movie not to The Matrix or some other mindfuck movie but Fellini's 8 1/2. This is probably the second most telling thing DiCaprio said during the publicity tour for the film, with the first being that he based Cobb on Nolan. 8 1/2 is totally autobiographical for Fellini, and it's all about an Italian director trying to overcome his block and make a movie (a science fiction movie, even). It's a film about filmmaking, and so is Inception.
Depois de terem lido esta crítica, o filme ganha contornos de obra prima. Un-fucking-believable.
2 comentários:
Tambem achei dos melhores filmes que vi recentemente!
essa critica é brutal...
Mas há coisas que não fazem sentido (imagino que seja complicado explicar tudo o que ia na cabecinha do Christopher Nolan numa quinzena de parágrafos)...
Se os totems servem para distinguir realidade de sonho então para que é que o Nolan os criou se aquilo é tudo um sonho?
Se aquilo é tudo um sonho do Cobbs então como explicar as cenas em q ele não aparece? (como é que ele nao sabe que a Ariadne aparece no sonho dele e desce ao nivel "B" do seu mundo).
Num sonho, estamos sempre presentes, mesmo que seja apenas num aspecto contemplativo.
Outro ponto interessante é o facto de nunca explicarem como funciona toda a técnologia necessaria para entrar nos sonhos uns dos outros. Isso sim parece "inventado"/vindo dum sonho!
Nevertheless granda pelicula!
Vai ver o Tropa de Elite 2...
Enviar um comentário